"IF MUSIC BE THE FOOD OF LOVE, PLAY ON..."
I'm a life-long music lover, and in addition to my 15+ years of performing music, I'm also passionate about music directing and composing for the stage.
I'm experienced at leading music rehearsals, composing and arranging sheet music, managing musical resources, and collaboratively realizing the director's musical vision for a production.
I also wrote my MLitt Thesis on Musical Dramaturgy in Shakespeare, and this thesis project exemplifies my philosophy of music direction and composition: that music has the power to tell a story.
MUSIC DIRECTION / COMPOSITION
The Two Noble Kinsmen - Composer & Music Director, dir. Matt Radford Davies/Doreen Bechtol, MBU Shakespeare & Performance
The Convent of Pleasure - Composer & Music Director, dir. Abigail Olshin, MBU Shakespeare & Performance
Anima (Her Soul) - Music Director, dir. Becca Westbrook, MBU Shakespeare & Performance
As You Like It - Music Director, dir. Megan Parlett/Becca Westbrook, MBU Shakespeare & Performance
The Comedy of Errors - Music Director, dir. Natasia Reinhardt, American Shakespeare Center Theatre Camp (youth production)
Troilus and Cressida - Music Director, dir. Mili Koncelik, American Shakespeare Center Theatre Camp (youth production)
MUSIC TEAM
Music of the Spheres: A Concert Celebration of CSC's Season - Co-Coordinator (w/Scarlet Darling), Constellation Shakespeare Collective
All's Well That Ends Well - Co-Music Director (w/Emily Bassett), dir. Allie Babich, Constellation Shakespeare Collective
The Woman in the Moon - Co-Music Director (Ensemble-Led Process), Ensemble-Directed, Constellation Shakespeare Collective
The Sea Voyage - Co-Music Director (w/Scarlet Darling), dir. Emily Bassett, Constellation Shakespeare Collective
The Honest [Wo]man's Revenge - Co-Music Director (w/Abigail Olshin), dir. Austen Bell, Streetlight Shakespeare Ensemble
Macbeth - Music Assistant (MD Becca Westbrook), dir. Brooke Crittenden/Megan Parlett, Constellation Shakespeare Collective
ACTOR-MUSICIAN
(selected credits)
All's Well That Ends Well
The Woman in the Moon
The Two Noble Kinsmen
The Witch
Henry VI Pt. 2
Comedy of Errors
Two Gentlemen of Verona
Guitar, Piano, Accordion, Vocals
Guitar, Piano, Vocals
Cello, Lap Harp, Percussion
Guitar, Vocals
Percussion, Vocals
Guitar, Ukulele, Percussion, Vocals
Guitar, Vocals
dir. Allie Babich
Ensemble-Directed
Matt Radford Davies/Doreen Bechtol
Ensemble-Directed
Julia Sommer
Beth Harris
Chris Nickerson
Constellation Shakespeare Collective
Constellation Shakespeare Collective
MBU Shakespeare & Performance
Meadowlark Shakespeare Players
MBU Shakespeare & Performance
Ithaca Shakespeare Company
Ithaca Shakespeare Company
INSTRUMENT PROFICIENCIES
Advanced (i.e. strong sight-reading and improvisational skills, able to learn music quickly without outside help):
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Voice
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Acoustic Rhythm Guitar
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Ukulele
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Assorted Percussion (cajon, hand-drum, xylophone, shakers, tambourine, etc.)
Basic (i.e. no formal training, but these are all instruments I have played onstage before, and I've been able to pick up basic melodies with little rehearsal time):
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Accordion
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Cello
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Lap-Harp
Intermediate (i.e. solid foundation in basic skills, chords, etc. can learn songs with a few days of independent practice time):
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Piano
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Melodica
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Flute
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Recorder
"Put me in coach" (i.e. I've never played these instruments before, but I have a relevant skillset and/or a god-complex that assures me I could play them if asked, and I'm just waiting for an opportunity to test that theory):
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Banjo
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Bass
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Violin
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Mandolin
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Harmonica